Paste your Google Webmaster Tools verification code here

Sand Castles

This painting I did of a little girl building sand castles at Velzyland, on the north shore of Oahu, is a crowd favorite.  I was inspired to do the piece because of her expression; she is on a mission, and in the words of someone who commented on this piece at a recent showing, “she has a look of happiness without smiling”.  I thought that was lovely.  Happiness without smiling.  I suppose it’s this not-so-obvious emotion that is apparent as she carries out her little construction project.

 

The same viewer asked what she held in her hand.  I explained it was the small shovel she was using, and he saw a paintbrush.  The colors and background choices I had made were stylistic, but he thought that she was painting the place she wanted to be.  Another lovely idea.  That she was creating the place of her escape.

 

This got me thinking about the way people interpret art.  The way it makes us feel.  I had thought that art connected us in the common feelings that a piece evokes in us.  But in this case, what connected me and this very thoughtful art viewer was that the piece made us both feel at all.  The more we tried to explain it to each other the less it meant.  It’s interesting how two people can look at something and see completely different things.

 

Take a better look at this painting.

 

In upcoming posts I will try to include the backstory on some of my work.  It will be interesting to hear your take on it.

Nice to meet you

The artist introduces herself with her artwork
Tribute to Jii-san
Tribute to Jii-san

It seems that with the accessibility of amazing technology, we’ve come to expect the exchange of information to be immediate and easy.  Social networks afford us all kinds of content and visual stimuli without even a ‘click’.  We can one-handedly, one-fingeredly, scroll passed all kinds of stuff if it doesn’t catch our attention.

 

The artist of today has to figure out how to appeal to the viewer – to convince them, that the work merits more than a passing glance.

 

I’m finding that for me, instead of finding a new way to appeal to an audience, sticking with my original appeals are what work.  I want to share my feelings about the subject matter in my pieces with others, so that they can form their own feelings about it.

 

Hi.  I’m Hawaii artist Lisa Ventura.  Nice to meet you.

 

I would compare it to getting introduced to someone by a mutual friend, and my art is that mutual friend.  An interaction that otherwise might not happen has been initiated by this shared friend, because we know we have something in common, based on what we know about and feel toward that friend.  (And since my art is that friend, I’m hoping we both agree that this is a good-looking, awesome friend.)

 

I really liked these statements made by artists on instagram.  The sentiments are similar to my own:

 

“Photos aren’t memories, memories are memories. Photos are the exhibitions; the safe place to stop them from being forgotten. Photos are each memory’s home” – Darius Kwong (@dk_shots)

“…to freeze moments and share visual information-energy, feelings and beauty-with others who are in search of it.” – Nasya Kopteva

 

Sort of lovely sentiments, no?